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Arthur: Unidentified caller, what do you need?
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LPC: I’m Sasha with Downyflake Waffles and, ah, we’d like to get you down to try some frozen waffles with us!
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SPEAKER_04: What are my little bomb with that?
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Arthur: Bring jackass. What do you want?
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LPC: Hey, why don’t you come try some frozen waffles there, guy? They’re real good!
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Arthur: Why don’t you go jack off?!
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LPC: Downey Flake Waffles.
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Man(1): Yeah?
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LPC: Anybody there?
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Man(1): Yeah.
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LPC: What's going on?
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LPC: What do you need?
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Man(1): Are you gay and over 21?
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LPC: What time is it?
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LPC: What time is it up there?
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Man(1): Wow, that’s so gay!
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LPC: What are you doing?
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Man(1): I’m fuckin’ playing with my cock.
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LPC: I bet.
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Woman(1): How can I help you, please?
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Man(1): Wow.
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Man(1): You had a nut on the phone there.
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Woman(1): Pardon me?
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Man(1): I said there was some nut on the phone just now.
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SPEAKER_06: Can I help you, then?
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Man(1): Oh, there you go.
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Man(1): Wow.
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Man(1): Are you into hip-hop and shit and listen to Bernice?
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Man(1): You listen to Bernice?
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Man(1): What a fucking homo.
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Man(1): You like new band.
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Man(1): Huh, man? You like corn?
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Man(1): You're such a bag.
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Man(2): Shrimp connection?
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LPC: Yes, I got some shrimp up bar, and I got home and I waited if I didn't get nearly enough shrimp with my order.
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LPC: I came up bar now.
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LPC: Okay, okay, okay, okay, okay, okay, okay.
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LPC: And I made my order fair and square, and then I turned around, high-tailed at home.
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LPC: I wanted to eat the sons of guns.
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LPC: You got me?
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LPC: Got me, got me, got.
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LPC: But then I realized that I don't.
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LPC: I only got two, three shrimps.
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LPC: My portion was real miniature.
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Man(2): Oh, shit.
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LPC: So what are we going to do here about you?
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Man(2): Well, you're full of shit, what you are.
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LPC: What are we going to do about you?
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Man(2): No, you're full of shit.
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SPEAKER_04: Come back.
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LPC: Hey.
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Man(2): Shrimp connection.
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LPC: I didn't get nearly enough shrimp in my order there, sir.
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LPC: I'm looking to make it right here today.
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LPC: Can I get a refund?
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Man(2): I don't know.
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Man(2): you are. And you keep calling me with the same complaint. Now, where were you?
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Man(2): What are you, uh, dingling?
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Man(2): Oh, yeah, I'm a dingling. Oh, yeah.
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Man(2): So, uh, yeah. So what did you get?
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LPC: You took my money and you didn’t give me a doggone thing, partner!
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Man(2): You left with nothing after I took yo money?
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LPC: You took my money.
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LPC: My money. You took my money.
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Man(2): Well, that’s what I’m supposed to do.
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LPC: I just want my money back.
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Man(2): I'll tell you. Where am I going to send it?
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LPC: I’ll come up and get it from ya.
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Man(2): Well why don’t you come on?
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LPC: Well why don’t you come on—
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Man(2): Well I don’t know where in the hell you at!
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LPC: Why don't you step up to the plate?
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Man(2): Come on to Greenboro, North Carolina.
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Man(2): I'll see you at cross, because.
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LPC: I’ll meet you at midnight, tonight.
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Man(2): Oh, shit.
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LPC: I want you to have cash in hand.
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Man(2): Well I always travel with cash.
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LPC: You tell a man you're going to get him with full.
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LPC: order and he gets a partial order.
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LPC: You're in a heap of trouble up there.
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Man(2): Oh, shit.
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Man(2): I'll see you at midnight.
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LPC: —Where’s my damn money?!—
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LPC: Where’s my damn money?
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Man(2): In my pocket.
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LPC: Give it here.
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LPC: Pay me what I need.
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LPC: Give me what I need.
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LPC: Give me what I need.
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LPC: Give me what I need.
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Man(2): Shit.
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Man(2): Shrimp connection.
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LPC: I'm going to need a refund on my shrimp.
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LPC: I didn't get enough.
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Man(2): Okay, listen, asshole.
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Man(2): I was at Costco the other night at midnight waiting on you.
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LPC: Well, hey, I was there, too.
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Man(2): Oh, bullshit.
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Man(2): You don't know about in the down parking lot for me.
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LPC: You never showed up ‘ere!
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Man(2): Bullshit.
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Man(2): Okay.
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Man(2): Let me make this real clear to you.
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LPC: What's that?
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Man(2): Go fucking sell and leave me along.
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LPC: Hey why don’t you speak English?
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Steve: Impact drug and alcohol treatment center.
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Steve: This is Steve.
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LPC: I've got a quartered individual.
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LPC: to bring in there this afternoon
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LPC: named Skippy.
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Steve: Whoa, whoa, whoa, whoa, whoa, whoa.
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Steve: Who's scheduling Skippy?
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LPC: He's just having a real hard time of Justin.
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LPC: Can you talk to him for a moment?
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Steve: Bu—bu—but first of all, who from Impact scheduled him?
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LPC: Ah, that information I don’t have at my fingertips—
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Steve: —Because we don’t just bring people in that are court-ordered.
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LPC: Can you talk to Skippy for a moment?
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LPC: Just let him know that he'll be in good hands.
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Steve: No, sir.
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Steve: No, sir.
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Steve: Do you have a contact person?
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Steve: What do you need?
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SPEAKER_06: Tell me what you?
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Steve: What’s up, Skippy?!
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Skippy: This is Skippy.
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Steve: That sounds like that.
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Skippy: What do you need?
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Skippy: Tell me what you're trying to need.
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SPEAKER_06: Yeah.
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SPEAKER_06: I have to try to need.
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SPEAKER_06: Yeah.
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LPC: What are you?
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Steve: We would have to fail for this.
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LPC: Can you, can you just try to talk to sense?
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LPC: listen to him, please. I'm trying to hold the guy down to talk to you here.
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Steve: Wow.
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LPC: Here, talk to him. Just—
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Skippy: What do you do you need?
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Skippy: Tell me what you need.
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Skippy: I don't know what you need.
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Skippy: What are you doing to need?
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Skippy: What do you need?
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LPC: He took off.
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Steve: Oh, my God.
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Steve: Why couldn't you hold him down?
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LPC: I tried. He’s a big fella!
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Steve: Who is this?
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LPC: My name’s David Chandler. I’m an attorney.
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Steve: Okay.
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LPC: Skippy was court-ordered to get some rehabilitation.
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LPC: I thought you guys could, you know, sort of grease the wheel, sort of speak.
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Steve: No. Skippy has to have a willing heart—
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LPC: Well, here you again.
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LPC: Skipie, talk to this Jones again.
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LPC: Hold on.
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SPEAKER_06: What do you try to do?
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Woman(2): Even.
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Woman(2): Who is that?
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Steve: Hey, who am I speaking with?
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LPC: David Chandler, attorney?
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Steve: You’re stickin’ to the script.
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LPC: That’s my profession.
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Steve: So, how may I help you, David?
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LPC: I wanted you to talk to Skippy.
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Steve: Put Skippy on the phone.
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LPC: Oh, I'll hear him.
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Jenny: Thank you for calling Lindsay. This is Jenny. How can I help you?
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Jenny: This is Lindsay Golf Course. Jenny is speaking. May I help you?
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Woman(3): Hello? [laugher] Is there anything I can help you with today?
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Louis: Well, hello. Ableton support. This is Lucas. How can I help?
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LPC: This is Stewie. I’m trying to use this recording program here and I’m just having a heck of a time here; everything’s warbling and fouled up.
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Louis: Okay. Um, yeah, I’m happy to help here. Could I, um, get the email address of your ableton.com account?
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LPC: It's Dickie.
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LPC: at primemail.biz. And I'm just having a gargantuan problem here with my recording and
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LPC: playback. There's cross-talk and cancellation on pretty much everything I try to do, and it's just not
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LPC: helping. I went to guitar center, and they're not able to tell me a doggone thing.
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Louis: Hm. Okay. Let’s see; I don’t see—I’m not seeing an account under this Dickie—is that D-I-C-K-Y?
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Louis: It's I-E. It's I-E. It's I-E. And then it's Prime-M-M-A.
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Louis: L-P-R-I-M-E-M-E-A-L-B-I-Z?
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LPC: Yes.
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Louis: Okay, I'm not, I'm not seeing an account under that email address.
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Louis: Um, is there maybe another one of the, the, the...
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LPC: I'm not sure.
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LPC: Were you coming from now?
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LPC: I was here.
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LPC: I can't...
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Louis: What’s that?
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LPC: This thing’s defective, sir.
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Louis: Um, I just, yeah.
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Louis: I'm...
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LPC: I paid cash on the barrel and I’m hearing [delay]—
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Louis: Okay.
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Louis: Which version of live are you using here?
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LPC: I'm here in...
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LPC: Version 10.
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LPC: I paid cash all in the barrel, and I'm here in bullfrogs and...
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LPC: birds and everything, going on bubbles.
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Louis: I'm wondering if maybe you've got the wrong product here.
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Louis: We don't have a live 10.
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LPC: Or 1.0, I guess.
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Louis: Um, we also don’t—I mean Live 1.0 is a product from 1999 so I don’t think that’s it.
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LPC: Do you know what phase cancellation sounds like? Like that—
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Louis: Yeah, absolutely.
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LPC: Like, oh, really?
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LPC: It sounds like snakes are nesting inside of my recordings.
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LPC: I got an acoustic guitar inside of my recordings.
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LPC: I got it sounds like a sit tar going wild and up there.
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LPC: Okay, and so, yeah, so, I'm hearing...
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Louis: —Unfortunately, I can’t really help you out further if you can’t give me an email address—
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LPC: I'm hearing different languages on tape, different languages.
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LPC: I'm hearing insects and wildlife.
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LPC: —This is just an acoustic-based project that I’m trying to run, here. [continual delay]
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Louis: Interesting. I see.
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LPC: So can't we work something through?
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LPC: I went to guitar center, and they told me to call you.
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LPC: I can't make that.
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LPC: I haven't made it.
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LPC: I can't make it work with the sounds I'm hearing.
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Louis: Yeah, I see.
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Louis: I see that sounds pretty tricky there.
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Louis: Definitely hearing some strange things over here on my end as well.
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LPC: Everything's a double-time.
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LPC: I'm hearing foreign languages.
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Louis: I've got to say, your voice sounds very familiar.
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Louis: I feel like maybe I've spoken with you before.
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LPC: Well, I've had this issue pop up from time to time.
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LPC: It sounds like I got a frog inside of my microphone here.
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LPC: I see.
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Louis: It's always like I got a frog.
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Louis: Yeah.
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Louis: Yeah.
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Louis: Well, listen, I do think that sounds like you've got a pretty serious problem there,
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Louis: but without figuring out your license details here, I can't really spend any more time with you.
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LPC: I've given you my email address.
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LPC: I've got my receipt in hand.
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Louis: I can tell you what, I can't stay on the phone here with you,
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Louis: but I'm happy to send you an email about address.
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Louis: And if you can just reply to that, we'll kind of work towards figuring out what's going on with your license there.
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LPC: Okay.
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LPC: It sounds like I got a primate running.
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LPC: Wow.
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LPC: in my recording space.
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Louis: Yeah.
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Louis: I understand, sir, definitely.
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Louis: Look, I can't really spend any more time on the phone here with you,
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Louis: but I appreciate you, Colin, and maybe try us back another time.
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Louis: I would love to recommend that you call us back.
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Louis: All right, thanks for calling and bye.